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2008 East
DIAMOND SPONSOR:
Data Direct
Frontiers in Data Access: The Coming Wave in Data Services
PLATINUM SPONSORS:
Red Hat
The Opening of Virtualization
Intel
Virtualization – Path to Predictive Enterprise
Green Hills
IT Security in a Hostile World
JBoss / freedom oss
Practical SOA Approach
GOLD SPONSORS:
Software AG
The Art & Science of SOA: How Governance Enables Adoption
PlateSpin
Effective Planning for Virtual Infrastructure Growth
Fujitsu
Automated Business Process Discovery & Virtualization Service
Ceedo
Workspace Virtualization
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Event Webcasts

2008 East
PLATINUM SPONSORS:
Appcelerator
Think Fast: Accelerate AJAX Development with Appcelerator
GOLD SPONSORS:
DreamFace Interactive
The Ultimate Framework for Creating Personalized Web 2.0 Mashups
ICEsoft
AJAX and Social Computing for the Enterprise
Kaazing
Enterprise Comet: Real–Time, Real–Time, or Real–Time Web 2.0?
Nexaweb
Now Playing: Desktop Apps in the Browser!
Sun
jMaki as an AJAX Mashup Framework
POWER PANELS:
The Business Value
of RIAs
What Lies Beyond AJAX?
KEYNOTES:
Douglas Crockford
Can We Fix the Web?
Anthony Franco
2008: The Year of the RIA
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Kim Cavanaugh
Kim Cavanaugh has been teaching and writing about web design software from Macromedia for over 5 years. He has written two books about Dreamweaver and Fireworks, collaborated on books about Dreamweaver, Fireworks, Flash and Contribute, and continues to write extensively about Studio MX tools for CommunityMX.com. In addition to his tutorials at CommunityMX, you can find more of his tutorials at his Beginner's Guide website (www.dw-fw-beginners.com) and read about things that interest him at his BrainFrieze blog (www.brainfrieze.net).

PowerPoint has been capable of accepting and playing back videos for quite some time, at least as far back as Office 97. In most cases the process is quite simple. Go to the Insert menu, click on Insert Movies, and away you go. At least in theory.
I've had a few days now to recover from and reflect on my experiences at this year's TODCon (a.k.a. 'The Other Dreamweaver Conference'), held this year in Orlando.
In last month's article I led off with the same quotation from Yeats. At the risk of seeming culturally challenged, I'll lead off with it again for the second treatment of how masks function in Fireworks, simply because it is so apt.
It is not so much what is behind the mask that matters - just as Yeats so famously describes - as is what is revealed. This is certainly true of graphical masking techniques in general, and particularly in the case of Fireworks masks where you have so many options for hiding and reveal...

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